2019 repress of part 3 from the comprehensive electronic music anthology series.

limited, 1 per customer

big crown proudly presents the debut album from californian trio brainstory.

no words needed, just listen!! hot

twisted, healing, dark, enlightening. space drum meditation is back with four airy slash pushing cuts driven by otherworldly riddims. expect that breathe-in-breathe-out kinda vibe for both spesh dancefloors and transcendental listening adventures.

brilliant melancholic cosmic electro. tip

nina kraviz trip presents the debut album am i who i am by alina izolenta and kamil ea, the duo more formally known as ptu.

dirt crew welcomes back dan only with a brand new ep !

* seasoned shogun duo technimatic are proud to celebrate 10 years working together with the release of their 3rd studio lp ‘through the hours’. born of time spent behind the boards, on the decks and travelling the world honing their craft, this is their most profound work to date. their first single ‘sometimes’, ‘goodbye kiss’ and ‘all our yesterdays’ are loaded with floor filling nostalgia while the tempo changes of ‘recurring dream’ and stand out ‘resolution’ are thrilling explorations away from the pair’s trademark liquid sound. technimatic fans will rejoice at the sight of previous collaborators appearing. jono mccleery’s devastating ability shines on ‘the nightfall’, while ‘weightless’ ft lucy kitchen is vintage, sublime drum and bass. matt wilson also joins the project as ‘holding on’ finds its feet firmly on the dance floor revealing a fresh side to their production skills. just looking at the three vocal tracks highlights the passage of time in the technimatic sound, seamlessly manoeuvring from classic to current. the grit and swagger of ‘true believer’ matched with the hypnotic lull of ‘let it fall’ give the album a conscious edge to satisfy all tastes. ‘through the hours’ moves harmoniously through sonic timelines appealing to both new and old school heads simultaneously. lastly and most importantly, the music is fantastic. the technimatic sound is as rustic as it is contemporary and after some time away, it’s clearly well worth the wait.

electronic music by mount liberation unlimited

placebo are still brimming with new ideas. recorded over three months by producer dave bottrill (chosen by the band largely because of his work with tool) in his toronto studio and mixed in london by my bloody valentine, smashing pumpkins and nine inch nails supremo alan moulder, placebos sixth album is a startling, alive, vital and boundary vaulting record that marks a whole new era for a band that were in need of a change.

supported by: addison groove, avalon emerson, ben ufo, charlotte de witte, dj sprinkles, damian lazarus, dark sky, erol alkan, etapp kyle, frits wentink, george fitzgerald, leftfield, maceo plex, marcel dettmann, marcel fengler, nemone, sasse, skream, tensnake, tom trago, whitesquare

the debut album from frenship on vinyl.

the new technimatic album on double vinyl, housed in a gatefold sleeve.

pumping house music

aka john beltran, for all detroit lovers

the 1992 oomph! debut album back on double vinyl, housed in a gatefold sleeve.

experimental percussive techno

debuetalbum der kanadischen produzentin jayda g auf ninja tune! die vinyl-lp erscheint inklusive downloadcode.

limited edition of 300 copies with numbered insert.

10th anniversary remastered reissue on 180 gram double vinyl with 2 additional remixes. housed in a gatefold sleeve with clear protective bag and download code included.

the new album from ian brown as vinyl lp with download code included.

backstreet’s back again!

limited one-off pressing of 200 copies on 180 gram double vinyl.

vinyl only!

pierre codarin is back on his self-titled label with four exceptional electronic cuts raging from dance floor heaters then to the mysterious after hour grooves.

canadian experimental synth psych po private press from 1979 now expanded to 2xlp with 14 bonus tracks / demos.

following three eps and one lp fabrizio rat releases his second solo album on odd/even, german label by andre kronert. the album is conceived entirely for the dancefloor, with no rest and no breathe, no ambient or >quiet< tracks. melodies emerge at times, resulting from original orchestrations of piano and machines. at other times more violent and static textures explore the extreme repetitions of piano harmonics, combined with slowly evolving filter-sweeping hypnosis. outstanding coverprint. shrinked and dj friendly 140g pressing. mastering and cut by cgb at dubplates and mastering. artwork by markus suckut and cover picture by fabrizio rat himself. manufactured by matter of fact.

black double vinyl in gatefold sleeve.

seit zwei jahren veröffentlichen pink floyd alle ihre alben nach und nach wieder als lps. 2018 dürfen sich die fans nun über ein neues besonderes reissue der rocklegenden freuen: »a foot in the door – the best of pink floyd«. das best-of aus dem jahr 2011 gibt es jetzt zum ersten mal überhaupt auf vinyl. das 180 gramm doppel-vinyl erscheint im klappcover.

victor simonelli opens up the vaults once more to unlock groove committee s dirty games , the follow up to the seminal i want you to know . taking the blueprint from his timeless house classic, simonelli reworked the bassline for this 92 follow up whilst holding onto that sublimely simple yet powerful chord progression, one that never fails to put a smile on the face. add in a helping of swung hats and crunched up shakers and this is a classic by anyone s standards. the vocals - a charged up, evocative warning to a mistreating lover - fit the nyc garage house rhythm so perfectly and deliver a raw emotion to the track. next up the dubb mix kicks off with the accapella vocals laid bare in all their glory, before that piano progression lays the path for the full force of dirty games to make its impact. there s more space between the vocals in this dub mix, allowing simonelli s production prowess room to breathe. a surefire spine tingler from start to finish. on the b side, simonelli offers up his 1993 re-edit, extending, elongating and beefing up certain elements to captivate audiences all over again. closing out the e.p. is groove committee s 93 track i wana hold you produced in collaboration with glenn sweety g toby - it follows that same garage house shuffling rhythm, with soul-laden organs and paula brion s killer vocals. another much welcomed reissue of some of victor simonelli s most sought after tracks, remastered by the man himself for a new generation of listeners.

two of the most refreshing artists in drum & bass today, villem & mcleod deliver their lp vision on spearhead records. having made waves throughout the scene in recent years with releases on a multitude of labels, their musicality mixed with dance floor flare sets the scene for the debut long player. funky, introspective at times, the album travels across v&m’s sound palette to create a beautifully crafted showcase that cements their status in 2018.
-we wrote the lp over a two year period of dramatic changes for us both, girlfriends, marriages, births, and deaths, it was this that fed back into the album. us trying to navigate our way through life, using that as inspiration to complete a dream we’d always talked about. writing an album is a different challenge than writing singles or an ep, it takes you deeper into how we want our sound to be remembered, more thought of the overall aesthetic, and ultimately more satisfying once we had completed it.- villem & mcleod 2018

marcellus pittman s is back with his second ep of 2018 on his own unirhythm records. the jewel here is pittman s 2007 acidic masterpiece -there s somebody out there- getting the edit treatment from chicago s jamie 326, who whips the original into a hypnotic bender. -something like (a dream)- is an upbeat key-driven vocal house cut in pittman s flowing style with bits of vocals floating over the mix. -breathe beat- is a low key bouncer stripped down to the raw elements with floating synths hovering over a minimal shuffling beat

spirituals operates under contradictory, sometimes combating, stylistic principles. somehow, however, small glints of emotive euphoria always seem to emerge from the muck and mire at just the right time. love changes, an eerily relatable distant memory, floats in an unsettling, yet celebratory dreamscape. gersts is nested comfortably in a cautiously optimistic daze. in canadian national, the priming of a train engine turns into a snare-driven house banger ¹ a prime example of spiritualsã obsession with combining natural and synthetic moving parts. as it rotates and revolves through ranges of blissfully dissimilar materials, doumen 07 elegantly drapes us in an emotional, shimmering house-coat with pulsating thumps to wear as our slippers.

seb zitos seven dials imprint serves up its third offering with jamie trench & khalil anthony continuing to champion the early garage flavours that the label is fast becoming known for. what was missing transports you back to the 90s with that ukg groove, bumping sub bass goodness and kahlil s gritty vocals. the dub mix leaves only a small portion of the vocals in the mix, chopping them todd the god style and giving the shuffling garage rhythm more room to breathe. on the b side label head, seb zito, switches things into peak-time roller territory, dampening the kick whilst putting more emphasis on the hats, dubbing out vocal snippets, adding acid flurries and throwing in an epic echoed breakdown. all three mixes make a clear nod to the past, whilst firmly setting themselves in the present gold again from seven dials.

2018 repress .. emotional rescue and woo once again come together, this time to reissue their masterpiece, the previously cassette-only album into the heart of love. a joyous, uplifting ode to love in all its forms, the trials and tribulations and ultimately the triumphs are all encapsulted in woo s unique soundscapes. of all the myriad of released and unreleased woo recordings, into the heart of love is without a doubt their most complete and cohesive body of work. full of woos quirky analogue dub electronics, there is also a very english sense of folk. with more vocals then their other albums, the structure and softness of mood quintessentially comes from the mother isle.

“world be live” komplettiert die alben-trilogie, die 2017 mit der veröffentlichung des 17. erasure-studioalbums “world be gone” begann und ihre fortsetzung anfang diesen jahres mit “world beyond” fand, einer bearbeitung des “world be gone”-originalmaterials durch das belgische echo collective. “world be live” wurde zum abschluss der ausverkauften uk-tour im rahmen zweier shows im eventim apolo in hammersmith im februar 2018 aufgenommen und bietet hits aus allen schaffensphasen erasures inklusive zeitloser welthits wie “sometimes”, “oh l’amour”, “ship of fools”, “chains of love”, “blue savannah” und “stop!”. dazu gesellen sich mit “atomic” ein blondie-cover und die hits ihres letzten albums “world be gone”, inklusive “love you to the sky!” 3lp edition auf schwarzem vinyl.

*** repress *** last year, dub techno veterans paul st hillaire and rhauder joined forces for a superb collaborative debut album, decoded. sushitech has wisely chosen to breathe new life into their soulful, dubbed-out exploits by handing over the parts to a string of high profile remixers. part 3 features the talents of soulphiction, leonel castillo, & the thibideau brothers (mark & matt).

“finding people” is the newest recording from croatian amor, the morphing alias of loke rahbek. with last year’s croatian amor album, “love means taking action”, we witnessed a transformation in the project, its wide-eyed gaze having stared deep into the news feed, reengineering its heartstrings. finding people takes this even further. white vinyl presented in a clear pvc sleeve.

90 s electro-punk project based in chicago after janis sils emigrated from riga, latvia. self built instruments to create an trash and solid industrial sound. influenced by label wax trax! & bands like laibach, nine inch nails, front 242 ... the world of u.s.o.c.a. reflects a strong talk to military minds. something straight with no breathe. a uniting calling for masses

the songs, the words, the melodies in this album, they all matter to me because they represent the real time outworking of my own trauma, pain and discovery of joy and peace. but there is a life inside this record equally important to all of the above, which is also trying to be communicated. it’s almost like how listening to a song in a foreign language doesn’t hinder you from absorbing what the song is communicating. in listening closely as i expose myself to myself, that is where the art is. maybe every time we have the courage to unabashedly be true in ourselves, the courage to do the same is received by someone else.
i ask that you pray for me, so that i can continue to live on the surface, not only in private while making art, but also in public while living life visibly. also that as i continue on this journey with myself, that i can communicate who this old yet new person i have found is. a little better each time, with more clarity each time. - vicktor taiwò

violet-the color of royalty and majesty, of dreamy and calming consciousness…here translated to a spirited collection of absolute music drivetrain (detroit, usa) – “breathe” derrick thompson engineers another captivating late night soul-bender. a commanding filtered bass groove, dominates melodic chord progressions with accentuating dynamic percussion and spicy vocal support mattimoe-perrine (toledo, usa) – “llucid” nathan mattimoe and todd perrine return with a composition of charismatic rhythm intelligence. as the journey builds, the elements become more intense, evolving to a vocal crescendo of synthesized deepness trecci (paris, france) – “sagami” soiree proudly welcomes trecci and his tribal inspired floor filler. drum manipulation integrates with vocal energy to ultimately dissolve in a hypnotic, quintessential string refrain funtom (zagreb, croatia) – “french connection” another newcomer to soiree, funtom musically animates the essence of high-tech sensuality. an alluring female voice subconsciously unveils a bed of infactuating pads, stabs and inflections

tresor is glad to announce the release of manni dee’s first album the residue , on june 15th. based in london, manni dee is held in high esteem by many for his spotless production and relentless dj sets. the gleaming rendition of manni s creative vision stuns. he knows sounds inside-out, making his studio a favorite stop for many to receive manni’s expertise. the production of the residue’ was inspired by the city of london and its general living conditions. more particularly, how social cleansing, inequality and the political situation generally - and on a holistic scale - informs internal and external locus of control. the residue’ is disconsolate, and with such heart-wrenching tracks as “in communal solitude”, “vicarious living” or “submit. breathe.” or the mutinous “at mercy of the muse” and “paroxysm” manni dee clearly cuts out his insurgent statement. in parallel to his regular dj schedule, manni dee will also take his sonic proclamation in its live pa form out to the most advanced stages starting this summer.

the ep -a form of travel unknown to humans- is chasing us. guiding and forcing a way simultaneously. the sound is harsh but has an immaculate precision to it –void of air- compelling the listener toward a light, seducing us to tear through the night. we enter with „s.m.o.d. – sticks- a deep and magnetic sound opening up slowly, starting to breathe and to merge into -s.m.o.d. – cell culture- which gives a much more metallic flavour but never the less beat driven – fast and strident- maybe even hasty, pushing to skip a beat of the heart. to finish off with -s.m.o.d – pulse- carrying an unsettling almost disturbing quality, formulating a mechanical sound alienated from the human experience. the ep creates a seductive space outside our comfort zone, inviting to explore a space and travel unknown to humans. gimme more.

marbled vinyl ... brill dub techno